Monday, March 25, 2019
Swordfish :: essays research papers
SwordfishIn the opening shooter of the film a major character (John Travolta) has a monologue it is one of my favorite monologues I dedicate ever seen in a film. The scene is carried out in a very interesting way, all the while never losing sight on the main subject. Slight variations in the focal length, sack, labored and of course the topic of each shot, it is the about well thought out scene in the film.Although I am no supposed to discuss the context of the scene, it is what adds a certain level of charm that would otherwise be missed. There is a discussion of the quality of film making in Hollywood, and the character relates his authorized situation to a quality film, the irony is not stressed which addles it believable.The most obvious set up used in the scene, is the use and movement of both(prenominal) the focal length and point. Although moving the focal point can separate from the film and have it deteriorate very easily, but it is not overly done, you are abl e to concentrate on very particular expound in the frame, instead of trying to absorb the whole frame at one time. Also you feel the dialogue is much more of import than the image, you not only hear the dialogue but you listen to it.The illumine is very well though out, the scenery is slightly dark semisoft ambient side light giving you a somber olfactory modality also hinting at the time of day giving the stunner a reference point on the time that has passed. What is really important is the lighting on the main character, a soft butterfly light makes him non-threatening and the unstimulating was the face is lit puts more importance on the dialogue. Making the viewer more open to what the character has to say.The sounds or lack of sounds in this scene accentuates the importance what is going on. Other than the dialogue every other sound is extremely subtle, light musical sounds and very little Foley work make up the rest of the auditory stimuli. There is one sound effect that is extremely subtle that makes the scene feel scrutinized or watched, that is the sound of an mechanical focus changing and trying to catch up.
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